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35 mm

A vast collection covering six decades of this format's history, plus uncoated and specialty lenses.

35 mm is the most widespread and enduring format in cinematographic history. There are more cine lenses in circulation for this format than any other, and that will be the case for a long time to come. 

Our inventory of 35 mm glass is huge and varied, encompassing most major manufacturers going back to the 1950s. The best way to discover what we have on offer is to visit one of our global facilities and take a look for yourself. We'd be happy to welcome you and give you some test space.

35 mm lens lists

  • ARRI/Zeiss Master Prime T1.3
    12 / 14 / 16 / 18 / 21 / 25 / 27 / 32 / 35 / 40 / 50 / 65 / 75 / 100 / 135 / 150 mm

    ARRI/Zeiss Ultra Prime T1.9
    10 / 12 / 14 / 16 / 20 / 24 / 28 / 32 / 40 / 50 / 65 / 85 / 100 / 135 / 180 mm

    ARRI/Zeiss Ultra Prime 8R T2.8

    ARRI/Zeiss T2.1 
    10 / 12 / 14 / 16 / 20 / 24 / 28 / 32 / 40 / 50 / 85 / 100 / 135 mm

    Bausch & Lomb Super Baltar T2.3
    20 / 25 / 35 / 50 / 75 / 100 mm

    Canon K-35 T1.3 - T2
    18 / 24 / 35 / 50 / 85 / 135 mm

    Cooke S4/i T2
    12 / 14 / 16 / 18 / 21 / 25 / 27 / 32 / 35 / 40 / 50 / 65 / 75 / 100 / 135 / 150 / 180 mm  

    Cooke 5/i T1.4
    18 / 25 / 32 / 40 / 50 / 65 / 75 / 100 mm 

    Cooke Panchro/i T2.2 - T2.8
    18 / 25 / 32 / 40 / 50 / 65 / 75 / 100 / 135 mm

    Cooke Speed Panchro T2.2 - T2.8
    18 / 25 / 32 / 40 / 50 / 75 / 100 mm

    Leica Summicron-C T2
    15 / 18 / 21 / 25 / 29 / 35 / 40 / 50 / 75 / 100 / 135 mm

    Leica Summilux-C T1.4
    16 / 18 / 21 / 25 / 29 / 35 / 40 / 50 / 65 / 75 / 100 / 135 mm

    Lomo Spherical T2.2 - T3.1 
    18 / 22 / 28 / 35 / 50 / 75 / 100 mm

    Lomo Illumina MkII T1.3
    18 / 25 / 35 / 50 / 85 mm

    Schneider T2.3 - T2.4
    18 / 28 / 35 / 40 / 50 / 75 mm 

    Zeiss CP.2 Compact Prime T2.1 - T2.9
    15 / 18 / 21 / 25 / 28 / 35 / 50 / 85 / 100 / 135 mm

    Zeiss High Speed T1.3 
    18 / 25 / 35 / 50 / 65 / 85 mm

  • Angenieux zooms
    Optimo 15-40 mm T2.6 / Optimo 17-80 mm T2.2 / Optimo 24-290 mm T2.8 / Optimo 28-76 mm T2.6
    Optimo 45-120 mm T2.8 / 17-102 mm T2.9 / 25-250 mm HR T3.5 / EZ-1 30-90 mm T2 / EZ-2 15-40 mm T2

    ARRI lightweight zooms
    LWZ-1 15.5-45 mm T2.6 / 17-35 mm T3.2

    ARRI Ultra-Wide Zoom 9.5-18 mm T2.9

    ARRI Rental Lightweight Zoom 80-200 mm T2.8

    ARRI/Fujinon Alura Zooms
    15.5-45 mm T2.8 / 18-80 mm T2.6 / 30-80 mm T2.8 / 45-250 mm T2.6 

    ARRI/Zeiss Master Zoom 16.5-110 mm T2.6

    Century 150-600 mm T5.6

    Cooke zooms
    Varotal 14-70 mm T3.1 / Varotal 18-100 mm T3.1 / Varopanchro 20-60 mm T3.1 / Varotal 20-100 mm T3.1
    Varotal 25-250 mm T3.9 / Cinetal 25-250 mm T3.7 

    Elite zooms
    25-80 mm T3.5 / 120-520 mm T3

    Fujinon Cabrio 19-90 mm T2.9

    Fujinon Premier HK zooms
    18-85 mm T2 / 24-180 mm T2.6 / 75-400 mm T2.8 - T3.8

    Hawk 150-450 mm T2.8

    Nikon 80-200 mm T2.8 

    Zeiss Variable Prime T2.2
    VP1 16-30 mm / VP2 29-60 mm / VP3 55-105 mm 

  • Uncoated ARRI/Zeiss Master Prime T1.3
    18 / 25 /35 /50 / 75 / 100 mm

    Uncoated Bausch & Lomb Super Baltar T2.3
    20 / 25 / 35 / 50 / 75 mm

    Uncoated Cooke Panchro/i T2.2 - T2.6
    18 / 25 / 32 / 50 / 75 / 100 mm

    Uncoated Zeiss High Speed T1.3 - T3
    18 / 25 / 35 / 50 / 65 / 85 / 100 / 135 / 180 mm

    Uncoated Zeiss T2.1
    50 / 100 / 135 mm    

    Uncoated Cooke 20-60 mm T3.1

    Uncoated Zeiss Lightweight Zoom 15.5-45 mm T2.6

  • ARRI Rental Macro T2.8
    100 / 135 mm

    ARRI/Zeiss Macro T2.1 - T4.3
    16 / 24 / 32 / 40 / 50 / 60 / 100 / 200 mm

    ARRI/Zeiss Master Macro 100 mm T2

    Canon Macro T1.8 - T2.8
    24 / 28 / 35 / 50 / 85 / 105 / 135 mm

    ISCO Specimagine Long Distance Macro T22

    Moy/Leitz Macro T2.8
    100 / 135 mm

    Raptor Macro T2.9
    100 / 150 / 180 mm

    Fisheye lenses
    Belomo 8 mm T3.5 / Nikkor 6 mm T2.8 / Nikkor 8 mm T3.6 / Kenko adapter

    ARRI Shift & Tilt T1.9 - T3.8
    18 / 20 / 24 / 28 / 35 / 45 / 60 / 80 / 90 / 110 / 150 mm

    ARRI Tilt Focus T2.8 - T4
    24 / 45 / 90 mm

    Century Tilt Focus T2.8 - T4
    24 / 45 / 90 mm

    Century Optics Swing/Shift T2.8
    14 / 18 / 24 / 35 / 45 / 55 mm

    Snorkel lens systems
    T-Rex Superscope / Optex Excellence / Cinemagic Revolution / Century Periscope / Prope II Plus
            
    Canon telephoto T2 - T5.6
    200 / 300 / 400 / 600 / 800 mm

    Nikon telephoto T2 - T6
    200 / 300 / 400 / 600 / 1000 mm

    Zeiss telephoto
    200 mm T2 / 300 mm T3

    Lensbaby 3G
     

For every look, there's a lens

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Vintage options

Cooke, Canon, Zeiss, and more

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Modern options

ARRI, Cooke, Leica, and more

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Uncoated options

Zeiss, Bausch & Lombe, and more

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Specialty options

Wide-angle, snorkel, macro, shift & tilt

Get in touch

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Visit, explore, experiment...

In your own words

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Cinematographer Adam Newport-Berra ("The Last Black Man in San Francisco")

I love the Master Primes because they're sharp and clean, but they still have life to them.

Lizzie

Cinematographer Noah Greenberg ("Lizzie")

We wanted something that had a slightly funkier feel, which pushed us towards the Cooke Speed Panchros, supplementing them with Cooke S4s at the long end.

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Cinematographer Richard Rutkowsk ("Castle Rock")

I went for rehoused Cooke Speed Panchro lenses as our standard prime set...We also mixed in some macro lenses and a few more modern Cookes, when we had to.

35 mm news

THE LAST BLACK MAN IN SAN FRANCISCO - thumbnail
2019-06-07

“The Last Black Man in San Francisco”

Cinematographer Adam Newport-Berra discusses his work on director Joe Talbot’s debut feature film, which picked up two awards at Sundance.

John Wick: Chapter 3 – Parabellum_Thumbnail
2019-05-21

“John Wick: Chapter 3 – Parabellum”

Dan Laustsen ASC, DFF speaks to ARRI Rental about his camera and lighting techniques on the latest chapter of the John Wick series, directed by Chad Stahelski and starring Keanu Reeves.