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Shooting "Terminator: Dark Fate"

DP Ken Seng speaks about capturing the latest Terminator film with ARRI ALEXA LF cameras and a lens package combining anamorphics with ARRI Rental DNA optics.

DP Ken Seng speaks about capturing the latest Terminator film with ARRI ALEXA LF cameras and a lens package combining anamorphics with ARRI Rental DNA optics.

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"Gemini Man" making-of featurette

Technical supervisor Ben Gervais explains how ARRI and ARRI Rental collaborated with director Ang Lee to customize ALEXA SXT M cameras for 3D images at 120 fps.

Technical supervisor Ben Gervais explains how ARRI and ARRI Rental collaborated with director Ang Lee to customize ALEXA SXT M cameras for 3D images at 120 fps.

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Exclusive BTS "Joker" interview

We sat down with cinematographer Lawrence Sher ASC to discuss his work with ALEXA 65 and DNA lenses on Todd Phillips' smash-hit film, starring Joaquin Phoenix.

We sat down with cinematographer Lawrence Sher ASC to discuss his work with ALEXA 65 and DNA lenses on Todd Phillips' smash-hit film, starring Joaquin Phoenix.

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DNA LF lenses on "Catherine the Great"

Cinematographer Stuart Howell discusses how his use of ARRI Rental's exclusive DNA LF lenses affected his lighting and camerawork on the historical miniseries.

Cinematographer Stuart Howell discusses how his use of ARRI Rental's exclusive DNA LF lenses affected his lighting and camerawork on the historical miniseries.

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"ALEXA 65: Inspiring Cinematographers"

A compilation of clips from ARRI Rental's video interviews with cinematographers who have used the ALEXA 65 camera system and its diverse lens options.

We are ARRI Rental


Our goal is to equip you with the most inspiring image technology in the world. We are unique in terms of the exclusive products we have developed, and our resources. As part of the wider ARRI ecosystem, we are built on a bedrock of knowledge that dates back more than a century.

Through a network of facilities in North America, Europe, and the UK, our service crosses borders and continents, bringing you first-class camera, lighting and grip equipment, wherever you may be. We aim for warm welcomes, friendly expertise, personalized solutions, and relationships built on trust.

Solutions personalized for you

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Director/cinematographer Alfonso Cuarón

ARRI (Rental) from the moment that we talked to them...they became one of our strongest allies in moving forward with the project.

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Cinematographer Stuart Dryburgh ASC

I've worked with ARRI Rental a lot...I'm always made very welcome and always well supported.

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Cinematographer Adam Newport-Berra

Most if not all of the films I've done have been with ARRI Rental; they've been so supportive of my work, both logistically and creatively.

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Cinematographer Newton Thomas Sigel ASC

We designed a reverse optics lens for one sequence, which worked stunningly well. I can't say a bad word about the ARRI Rental team.

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Cinematographer Richard Rutkowski

The people at ARRI Rental are as dedicated as filmmakers...they think about things in the creative sense, not just the financial sense.

Credits

Mulan

Mulan

Mulan

Mulan

2020

Director: Niki Caro
Cinematographer: Mandy Walker ASC ACS
Camera: ALEXA 65

1917 poster

1917

1917 poster

1917

2019

Director: Sam Mendes
Cinematographer: Roger Deakins CBE, ASC, BSC
Camera: ALEXA Mini LF
Lenses: Signature Prime

1_Cats

Cats

1_Cats

Cats

2019

Director: Tom Hooper
Cinematographer: Christopher Ross BSC
Camera: ALEXA 65
Lenses: Prime DNA, Tokina Cinema Vista
Grip gear: also supplied by ARRI Rental

The Irishman

The Irishman

The Irishman

The Irishman

2019

Director: Martin Scorsese
Cinematographer: Rodrigo Prieto AMC, ASC
Camera: ARRICAM LT
Lenses: Ultra Prime

Gemini Man

Gemini Man

Gemini Man

Gemini Man

2019

Director: Ang Lee 
Cinematographer: Dion Beebe ASC ACS
Camera: ALEXA Mini, ALEXA XT M
Lenses: Leica Summilux
Lighting Kit: also supplied by ARRI Rental
Grip gear: also supplied by ARRI Rental, including HEXATRON

Jim Knopf 1 and 2

Jim Button and Luke the Engine Driver

Jim Knopf 1 and 2

Jim Button and Luke the Engine Driver

2019

Director: Dennis Gansel
Cinematographer: Torsten Breuer
Camera: ALEXA Mini, ALEXA XT plus
Lenses: Master Prime
Lighting kit: also supplied by ARRI Rental
Grip gear: also supplied by ARRI Rental

Terminator

Terminator

Terminator

Terminator

2019

Director: Tim Miller
Cinematographer: Ken Seng
Camera: ALEXA LF
Lenses: Master Anamorphic
Lighting kit: also supplied by ARRI Rental  
Grip gear:  also supplied by ARRI Rental, including HEXATRON

German poster

Das perfekte Geheimnis

German poster

Das perfekte Geheimnis

2019

Director: Bora Dagtekin
Cinematographer: Moritz Anton
Camera: ALEXA Mini
Lenses: Leica Summilux

After the Wedding

After the Wedding

After the Wedding

After the Wedding

2019

Director: Bart Freundlich 
Cinematographer: Julio Macat ASC
Camera: ALEXA 65
Lenses: Prime 65 S

El Camino: A Breaking Bad Movie

El Camino: A Breaking Bad Movie

El Camino: A Breaking Bad Movie

El Camino: A Breaking Bad Movie

2019

Director: Vince Gilligan
Cinematographer: Marshall Adams
Camera: ALEXA 65
Lenses: Prime DNA

Here's what's been happening...

PHX_13544R
2019-12-09

Shooting "Terminator: Dark Fate"

DP Ken Seng speaks about capturing the latest Terminator film with ARRI ALEXA LF cameras and a lens package combining anamorphics with ARRI Rental DNA optics.

GM_05768R copy
2019-12-09

"Gemini Man" making-of featurette

Technical supervisor Ben Gervais explains how ARRI and ARRI Rental collaborated with director Ang Lee to customize ALEXA SXT M cameras for 3D images at 120 fps.

JOKER_thumbnail
2019-12-09

Exclusive BTS of "Joker" with Lawrence Sher ASC

We sat down with cinematographer Lawrence Sher ASC to discuss his work with ALEXA 65 and DNA lenses on Todd Phillips' smash-hit film, starring Joaquin Phoenix.