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George Clooney's "The Boys in the Boat" uses ALFA anamorphics

Cinematographer Martin Ruhe ASC on his creative approach to telling the back story of America's entry in the eights rowing race at the 1936 Berlin Olympics.

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Jo Willems ASC, SBC on “The Hunger Games: The Ballad of Songbirds & Snakes”

DP Jo Willems uses ARRI ALEXA Mini LF cameras, Signature lenses, and the HEXATRON crane vehicle on the fifth “Hunger Games” film, serviced by ARRI Rental.

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ALEXA 65 with DNA and HEROES lenses on “Five Nights at Freddy’s”

Cinematographer Lyn Moncrief discusses choosing exclusive ARRI Rental technology to transform the renowned video game into a chilling horror film.

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ALEXA Monochrome cameras

Native black-and-white across three formats

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HEROES

Eclectic lenses with optical superpowers

Credits

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Back to Black

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The Boys in the Boat

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Barbie

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TÁR

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Succession (Season 4)

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Elvis

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The Batman

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House of the Dragon

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The Lord of the Rings: The Rings of Power

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Wednesday

Personalized solutions

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Director/cinematographer Alfonso Cuarón

ARRI (Rental) from the moment that we talked to them...they became one of our strongest allies in moving forward with the project.

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Cinematographer Stuart Dryburgh ASC

I've worked with ARRI Rental a lot...I'm always made very welcome and always well supported.

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Cinematographer Adam Newport-Berra

Most if not all of the films I've done have been with ARRI Rental; they've been so supportive of my work, both logistically and creatively.

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Cinematographer Newton Thomas Sigel ASC

We designed a reverse optics lens for one sequence, which worked stunningly well. I can't say a bad word about the ARRI Rental team.

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Cinematographer Richard Rutkowski ASC

The people at ARRI Rental are as dedicated as filmmakers...they think about things in the creative sense, not just the financial sense.

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