Greig Fraser ACS, ASC on "Dune: Part Two"

ALEXA 65, ALEXA Mini LF, and lenses including exclusive ARRI Rental optics chosen by DP Greig Fraser for the second part of director Denis Villeneuve's sci-fi epic.

Homepage_Stage_Back to Black_Picture_ARRI-Rental-ALEXA-35-Cinematography-Polly-Morgan-Amy-Winehouse-Biopic-Marisa Abela

Polly Morgan ASC, BSC mixes lenses on “Back to Black”

Cinematographer Polly Morgan returns to the Super 35 format with the ARRI ALEXA 35 and combines a mix of lenses with a bleach bypass emulation LUT to craft a unique look for director Sam Taylor-Johnson’s biopic about Amy Winehouse.

Behind the scenes Amazon’s “Mr. and Mrs. Smith” DP Christian Sprenger

Moviecam lenses give “Mr. and Mrs. Smith” a vintage look

Cinematographer Christian Sprenger ASC discusses working in large format with the ARRI ALEXA Mini LF and ARRI Rental Moviecam lenses on Amazon’s action-packed spy series.

ALEXA Monochrome - Website Header_M20

ALEXA Monochrome cameras

Native black-and-white across three formats



Eclectic lenses with optical superpowers

Explore ARRI Rental projects


Dune Part 2


Furiosa: A Mad Max Saga

Image_Credits_Baby Reindeer

Baby Reindeer

Poor Things poster

Poor Things


Back to Black

Image_Credits_House of the Dragon

House of the Dragon (Season 2)


El Conde



Image_Credits_The Batman

The Batman

website poster

The Lord of the Rings: The Rings of Power

Personalized solutions


Director/cinematographer Alfonso Cuarón

ARRI (Rental) from the moment that we talked to them...they became one of our strongest allies in moving forward with the project.

Stuart Dryburgh copy

Cinematographer Stuart Dryburgh ASC

I've worked with ARRI Rental a lot...I'm always made very welcome and always well supported.


Cinematographer Adam Newport-Berra

Most if not all of the films I've done have been with ARRI Rental; they've been so supportive of my work, both logistically and creatively.

Screen Shot 2019-09-26 at 15.42.31

Cinematographer Newton Thomas Sigel ASC

We designed a reverse optics lens for one sequence, which worked stunningly well. I can't say a bad word about the ARRI Rental team.


Cinematographer Richard Rutkowski ASC

The people at ARRI Rental are as dedicated as filmmakers...they think about things in the creative sense, not just the financial sense.