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The cinematography of "Tribes of Europa"

DP Christian Rein describes how he used ARRI Rental's ALEXA 65 camera and DNA lenses to create the look for Netflix's post-apocalyptic drama.


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Mike Eley BSC discusses the "The Dig"

Cinematographer Mike Eley BSC reflects on pairing ARRI Rental’s DNA LF lenses with ALEXA LF to sensitively render the Suffolk landscape of Netflix film "The Dig". 

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Martin Ruhe ASC on creating an immersive experience for "The Midnight Sky"

The cinematographer talks about using ARRI Rental Prime DNA lenses with ALEXA 65 and Mini LF cameras to capture Arctic storm and zero gravity space scenes.

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Tami Reiker ASC on "One Night in Miami"

Tami Reiker ASC discusses the process involved in crafting Regina King's debut feature. Shot on ALEXA 65 and Prime DNA lenses.

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Joshua James Richards talks "Nomadland"

Joshua James Richards breaks down the cinematography of "Nomadland" from his home in this behind the scenes video.

We are ARRI Rental


Our goal is to equip you with the most inspiring image technology in the world. We are unique in terms of the exclusive products we have developed, and our resources. As part of the wider ARRI ecosystem, we are built on a bedrock of knowledge that dates back more than a century.

Through a network of facilities in North America, Europe, and the UK, our service crosses borders and continents, bringing you first-class camera, lighting and grip equipment, wherever you may be. We aim for warm welcomes, friendly expertise, personalized solutions, and relationships built on trust.

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News on how we're supporting our employees, clients, and film community

Solutions personalized for you

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Director/cinematographer Alfonso Cuarón

ARRI (Rental) from the moment that we talked to them...they became one of our strongest allies in moving forward with the project.

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Cinematographer Stuart Dryburgh ASC

I've worked with ARRI Rental a lot...I'm always made very welcome and always well supported.

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Cinematographer Adam Newport-Berra

Most if not all of the films I've done have been with ARRI Rental; they've been so supportive of my work, both logistically and creatively.

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Cinematographer Newton Thomas Sigel ASC

We designed a reverse optics lens for one sequence, which worked stunningly well. I can't say a bad word about the ARRI Rental team.

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Cinematographer Richard Rutkowski

The people at ARRI Rental are as dedicated as filmmakers...they think about things in the creative sense, not just the financial sense.

Credits

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The Mosquito Coast

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The Woman in The Window

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Things Heard & Seen

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Concrete Cowboy

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To All The Boys: Always And Forever

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Malcolm and Marie

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Euphoria Part 2: Jules

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Euphoria Part 1: Rue

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Godzilla vs. Kong

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Nomadland