ARRI Rental Group

We are ARRI Rental

Our goal is to equip you with the most inspiring image technology in the world. We are unique in terms of the exclusive products we have developed, and our resources. As part of the wider ARRI ecosystem, we are built on a bedrock of knowledge that dates back more than a century.

Through a network of facilities in North America, Europe, and the UK, our service crosses borders and continents, bringing you first-class motion picture camera, lighting, and grip equipment, wherever you may be. We aim for warm welcomes, friendly expertise, personalized solutions, and relationships built on trust.

In-house technologies

At ARRI Rental we have developed our own cameras, lenses, grip equipment, and lighting fixtures. Often these technologies are intitally developed in collaboration with leading filmmakers, after which they become available to all of our clients, worldwide.

Digital 65 mm cameras

The new ALEXA 265 and its predecessor, ALEXA 65.

Exclusive lenses

Unique optics including the DNA, ALFA, and Moviecam series.

ALEXA Monochrome cameras

Native black-and-white across three formats.

ARRIFLEX 765

Historic sync-sound 65 mm film camera.

Exclusive grip

HEXATRON crane vehicle and Hover Dolly with Delta Track.

Exclusive lighting

BrikLok modular LED panels, and custom rigging.

Explore ARRI Rental projects

Mickey 17

Bridget Jones: Mad About the Boy

Maria

The Amateur

Wicked

Mobland

Day of the Jackal

Furiosa: A Mad Max Saga

Dune Part 2

House of the Dragon (Season 2)

Personalized solutions

Director/cinematographer Alfonso Cuarón

ARRI (Rental) from the moment that we talked to them...they became one of our strongest allies in moving forward with the project.

Cinematographer Stuart Dryburgh ASC

I've worked with ARRI Rental a lot...I'm always made very welcome and always well supported.

Cinematographer Adam Newport-Berra

Most if not all of the films I've done have been with ARRI Rental; they've been so supportive of my work, both logistically and creatively.

Cinematographer Newton Thomas Sigel ASC

We designed a reverse optics lens for one sequence, which worked stunningly well. I can't say a bad word about the ARRI Rental team.

Cinematographer Richard Rutkowski ASC

The people at ARRI Rental are as dedicated as filmmakers...they think about things in the creative sense, not just the financial sense.

Here's what's been happening...

Jan. 6, 2025

“Wicked” in 65 mm with ALEXA 65

Alice Brooks ASC gives a detailed interview on how emotional cues dictated technical choices for Jon M. Chu’s movie adaptation of the hit musical.

Behind the scenes of “Alien: Romulus”: Cinematographer Galo Olivares.

Oct. 1, 2024

Shooting “Alien: Romulus”

Cinematographer Galo Olivares talks to ARRI Rental about working with director Fede Álvarez on the latest film in the long-running “Alien” franchise, shot with ALEXA 35.

Aug. 13, 2024

Simon Duggan ASC, ACS on “Furiosa: A Mad Max Saga”

ALEXA 65 with DNA lenses, including custom optics made specially by ARRI Rental, used to shoot the latest instalment in director George Miller’s post-apocalyptic franchise.

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