Stories from the set

Cinematographer Galo Olivares talks to ARRI Rental about working with director Fede Álvarez on the latest film in the long-running “Alien” franchise, shot with ALEXA 35.

HFF Munich film school’s revised location lighting course provides a “once in a lifetime opportunity” for students, with support from ARRI Rental.

ALEXA 65 with DNA lenses, including custom optics made specially by ARRI Rental, used to shoot the latest instalment in director George Miller’s post-apocalyptic franchise.

Combining the ARRI ALEXA 35 with ALFA V1 and V2 anamorphic lenses from ARRI Rental, cinematographer PJ Dillon kicks off season two of HBO’s “Game of Thrones” prequel.

Podcaster Benjamin Schubert interviews ARRI Rental’s Wolfgang “Wolle” Reichel about his career since joining ARRI at the age of 16, and the industry changes he has seen.

Graduating cinematographer Tobias Blickle talks about shooting “Sonnenplaetze” on the ARRI ALEXA Mini LF with Moviecam and DNA LF lenses.

Cinematographers Jonathan Freeman ASC and Richard Donnelly ISC set the look on the first two episodes of Netflix’s sci-fi drama, combining ALFA anamorphic and DNA LF lenses.

DP Violet Smith taps ARRI Rental for an ARRIFLEX 235 camera package to capture “Second Skin” on 35 mm analog film, promoting Kim Shui's 2024 FALL | WINTER 2024 collection.

Meet the finalists and recipients of the 14th annual Volker Bahnemann Award for Outstanding Cinematography: Undergrad students Alexandra Mettler, Jason Wang, and Ethan Wen, and grad students Ella Gibney, Chris Del Rio Solorzano, Marshall Cooper, and Theo Gray.

Cinematographer Polly Morgan returns to the Super 35 format with the ARRI ALEXA 35 and combines a mix of lenses with a bleach bypass emulation LUT to craft a unique look for director Sam Taylor-Johnson’s biopic about Amy Winehouse.

DP Eve M. Cohen combines the large-format aesthetic and small form factor of the ALEXA Mini LF with ARRI Rental’s exclusive DNA LF optics on Sara Zandieh’s romantic comedy.

DPs Adrian Peng Correia and Wesley Cardino on shooting AMC’s "The Walking Dead: The Ones Who Live" with ALEXA 65 cameras and Prime DNA lenses from ARRI Rental.