Stories from the set

Rina Yang (DP of episodes 8, 9 and 10) breaks down the lush cinematography of Netflix's London-set gang drama "Top Boy". In this interview, she discusses the look of the show, ALEXA LF, DNA lenses, and more.

DP Ken Seng speaks about capturing the latest Terminator film with ARRI ALEXA LF cameras and a lens package combining anamorphics with ARRI Rental DNA optics.

We sat down with cinematographer Lawrence Sher ASC to discuss his work with ALEXA 65 and DNA lenses on Todd Phillips' smash-hit film, starring Joaquin Phoenix.

Technical supervisor Ben Gervais explains how ARRI and ARRI Rental collaborated with director Ang Lee to customize ALEXA SXT M cameras for 3D images at 120 fps.

Gaffer Brian Bartolini shares his lighting techniques, collaborations, and challenges on the latest Terminator movie.

Cinematographer Stuart Howell discusses how his use of ARRI Rental's exclusive DNA LF lenses affected his lighting and camerawork on the historical miniseries.

In conversation with ARRI Rental, cinematographer Julio Macat ASC discusses his work with our exclusive digital 65 mm camera system on Bart Freundlich's new film.

Fred Elmes ASC talks zombies, Jim Jarmusch, George A Romero, ALEXA LF cameras and ARRI Rental DNA lenses.

DP Johannes Louis and ARRI Rental’s Christoph Hoffsten collaboratively tune a set of lenses to create a personalized look for Erik Schmitt’s new film, "Cleo: If I Could Turn Back Time".

Stuart Dryburgh ASC speaks about shooting the new MIB movie in 65 mm with ARRI Rental's exclusive ALEXA 65 camera and Prime DNA lenses.

Cinematographer Adam Newport-Berra discusses his work on director Joe Talbot’s debut feature film, which picked up two awards at Sundance.

Dan Laustsen ASC, DFF speaks to ARRI Rental about his camera and lighting techniques on the latest chapter of the John Wick series, directed by Chad Stahelski and starring Keanu Reeves.

Developed in collaboration with cinematographers, ARRI Rental's exclusive DNA lenses are manufactured in-house. Encompassing a Prime DNA series for ALEXA 65 and a DNA LF series for ALEXA LF, the DNA program is a unique concept in personalized filmmaking.

Producer Maddy Easton of Rogue Films in the UK discusses using ARRI Rental’s exclusive ALEXA 65 camera system on "Where Everyone Plays," a soccer-themed commercial shot by DP Mattias Rudh. 

Cinematographer Ben Davis BSC explains the reasons behind his choice of ARRI Rental's exclusive 65 mm digital format and customizable Prime DNA lenses for Tim Burton's remake of the Disney classic.

The director/cinematographer speaks to ARRI Rental about what the 65 mm format brought to his critically acclaimed black-and-white film.