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Digital 35 mm cameras

The full 35 format ALEXA line-up, plus other camera options.

The 35 mm format is by far the most significant in cinema history and remains a compelling choice for many different types of production. Whether it's the state-of-the-art ALEXA 35, with 17 stops of dynamic range and ground-breaking color performance, or the ubiquitous ALEXA Mini, used on countless films, TV shows, and commercials, ARRI Rental has a digital Super 35 solution for all requirements and budgets.

For many filmmakers the great advantage of Super 35 is the rich variety of lenses available for the format, from modern options to vintage spherical and anamorphic optics dating back to the mid-twentieth century.

Digital 35 mm camera options


  • Industry-leading 17 stops of dynamic range
  • 4.6K Super 35 sensor for native 4K deliverable requirements
  • In-camera ARRI Textures for enhanced on-set creativity
  • Improved sensitivity: lower noise, higher ISO
  • More accurate colors with in-camera REVEAL Color Science
  • 19 recording formats for varied production needs
  • New LogC4 workflow


  • Lightweight carbon and titanium construction
  • Compact, symmetrical design allows filming in any orientation
  • Can be an A-camera, a drone camera, and anything in between
  • Frame rates of 0.75 - 200 fps
  • In-camera ProRes and ARRIRAW recording
  • Built-in motorized ND filters 0.6, 1.2, 2.1
  • EXT SYNC mode for multi-camera applications
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Studio-style ALEXA cameras


  • Multiple recording and media options
  • Improved image quality and look management
  • ALEXA XT, Classic, and Plus HS also available

ALEXA Studio

  • Film-style optical viewfinder
  • Rotating mirror shutter
  • Available in XR and SXT versions
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  • Same sensor and image quality as ALEXA
  • Ergonomic design for single-operator use
  • Sliding dovetails for perfect shoulder balance
  • Multi-channel audio with easy-access controls
  • Ideal as a documentary camera
  • Cost-efficient in-camera grading
  • Frame rates up to 200 fps
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ALEXA XT Monochrome

  • Unique, black-and-white cinematography
  • Higher resolution, sensitivity, and dynamic range
  • No bayer mask, optical low-pass filter, or IR block filter
  • Sees into the IR spectrum 
  • In-camera ARRIRAW recording up to 120 fps
  • True black-and-white capture for greater creative control
  • Learn more here

Hand-cranked ARRIFLEX D-21

  • ARRI's first digital camera system - a historic look!
  • Rotating mirror shutter and optical viewfinder
  • Adapted for silent-era hand-crank mechanics
  • Fps is dependent on wrist power
  • Authentic silent film look created in camera
  • Native 200 ISO

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Get in touch

Roger Deakins ALEXA ST 60_final_banner_neutral_3.5k
Assess your camera options...

In your own words


Cinematographer Dan Laustsen ("John Wick: Chapter 3 - Parabellum")

In Morocco we shot a lot of handheld, so we used the Mini for that, and we used the Mini for Steadicam of course as well. 

Hagen Bogdanski

Cinematographer Hagen Bogdanski ("Berlin Station")

Without the flexibility of two ALEXA cameras with integrated accessories...we'd never have got through so many script pages a day.


Cinematographer Anthony Dod Mantle ASC, BSC, DFF ("Rush")

I love the optical viewfinder of the ALEXA Studio; I miss the calm experience of the purring mirror and gate of a 35 mm camera inside my head.