Welcome to the workflow side of things for ALEXA 265. The camera combines a revised 65 mm sensor with our latest color science: ARRI REVEAL. If you have experience of a project shot on ALEXA 35, then you will know how to handle the ALEXA 265 and its footage, because it uses the same ARRIRAW or HDE file format, ARRI Look Files (*.alf4), 3D-LUTs, and ACES IDTs.
Can we help?
If you have further in-depth questions or questions concerning ALEXA 265 workflows, please contact our Digital Workflow Department.