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Remote heads

Three-axis, two-axis, and stabilized remote heads.

Whether on a dolly and jib, a crane, or a vehicle, remote heads offer the same manual, skill-based operator control as traditional heads, but remotely and with the option of greatly increased stability. 

Remote head options


SpaceCam M7 EVO, ARRI SRH-3, Scorpio, Flight Head, Alpha Head, TechnoheadS


Scorpio II, Mega Mount III, Panther Trixy, Pee-Pod, Mo-Sys

Motion control


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Rodrigo Prieto ASC, AMC on shooting "The Irishman"

Cinematographer Prieto teams with director Martin Scorsese for the critically acclaimed epic saga about organized crime from Netflix, using analog and digital cameras supplied by ARRI Rental.


Rina Yang discusses the cinematography of "Top Boy"

Rina Yang (DP of episodes 8, 9 and 10) breaks down the lush cinematography of Netflix's London-set gang drama "Top Boy". In this interview, she discusses the look of the show, ALEXA LF, DNA lenses, and more.


Shooting "Terminator: Dark Fate"

DP Ken Seng speaks about capturing the latest Terminator film with ARRI ALEXA LF cameras and a lens package combining anamorphics with ARRI Rental DNA optics.