We are ARRI Rental


Our goal is to equip you with the most inspiring image technology in the world. We are unique in terms of the exclusive products we have developed, and our resources. As part of the wider ARRI ecosystem, we are built on a bedrock of knowledge that dates back more than a century.

Through a network of facilities in North America, Europe, and the UK, our service crosses borders and continents, bringing you first-class camera, lighting and grip equipment, wherever you may be. We aim for warm welcomes, friendly expertise, personalized solutions, and relationships built on trust.

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Here's what's been happening...

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2020-01-17

Rodrigo Prieto ASC, AMC on shooting "The Irishman"

Cinematographer Prieto teams with director Martin Scorsese for the critically acclaimed epic saga about organized crime from Netflix, using analog and digital cameras supplied by ARRI Rental.

2019-12-19

Rina Yang discusses the cinematography of "Top Boy"

Rina Yang (DP of episodes 8, 9 and 10) breaks down the lush cinematography of Netflix's London-set gang drama "Top Boy". In this interview, she discusses the look of the show, ALEXA LF, DNA lenses, and more.

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2019-12-09

Shooting "Terminator: Dark Fate"

DP Ken Seng speaks about capturing the latest Terminator film with ARRI ALEXA LF cameras and a lens package combining anamorphics with ARRI Rental DNA optics.