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Shooting "Terminator: Dark Fate"

DP Ken Seng speaks about capturing the latest Terminator film with ARRI ALEXA LF cameras and a lens package combining anamorphics with ARRI Rental DNA optics.

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"Gemini Man" making-of featurette

Technical supervisor Ben Gervais explains how ARRI and ARRI Rental collaborated with director Ang Lee to customize ALEXA SXT M cameras for 3D images at 120 fps.


Exclusive BTS "Joker" interview

We sat down with cinematographer Lawrence Sher ASC to discuss his work with ALEXA 65 and DNA lenses on Todd Phillips' smash-hit film, starring Joaquin Phoenix.


DNA LF lenses on "Catherine the Great"

Cinematographer Stuart Howell discusses how his use of ARRI Rental's exclusive DNA LF lenses affected his lighting and camerawork on the historical miniseries.


"ALEXA 65: Inspiring Cinematographers"

A compilation of clips from ARRI Rental's video interviews with cinematographers who have used the ALEXA 65 camera system and its diverse lens options.

We are ARRI Rental

Our goal is to equip you with the most inspiring image technology in the world. We are unique in terms of the exclusive products we have developed, and our resources. As part of the wider ARRI ecosystem, we are built on a bedrock of knowledge that dates back more than a century.

Through a network of facilities in North America, Europe, and the UK, our service crosses borders and continents, bringing you first-class camera, lighting and grip equipment, wherever you may be. We aim for warm welcomes, friendly expertise, personalized solutions, and relationships built on trust.

Solutions personalized for you


Director/cinematographer Alfonso Cuarón

ARRI (Rental) from the moment that we talked to them...they became one of our strongest allies in moving forward with the project.

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Cinematographer Stuart Dryburgh ASC

I've worked with ARRI Rental a lot...I'm always made very welcome and always well supported.


Cinematographer Adam Newport-Berra

Most if not all of the films I've done have been with ARRI Rental; they've been so supportive of my work, both logistically and creatively.

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Cinematographer Newton Thomas Sigel ASC

We designed a reverse optics lens for one sequence, which worked stunningly well. I can't say a bad word about the ARRI Rental team.


Cinematographer Richard Rutkowski

The people at ARRI Rental are as dedicated as filmmakers...they think about things in the creative sense, not just the financial sense.




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The Irishman

The Irishman

Gemini Man

Gemini Man

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Jim Button and Luke the Engine Driver

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Das perfekte Geheimnis

After the Wedding

After the Wedding

Here's what's been happening...

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Lighting "Terminator: Dark Fate"

Gaffer Brian Bartolini shares his lighting techniques, collaborations, and challenges on the latest Terminator movie.


“After the Wedding” on ALEXA 65

In conversation with ARRI Rental, cinematographer Julio Macat ASC discusses his work with our exclusive digital 65 mm camera system on Bart Freundlich's new film.


“The Dead Don’t Die”

Fred Elmes ASC talks zombies, Jim Jarmusch, George A Romero, ALEXA LF cameras and ARRI Rental DNA lenses.