ARRI Rental | Full frame lenses

Large-format cinematography is a growing trend, with the majority of cameras offering a sensor around the same size as a 35 mm stills camera, commonly referred to as full frame. It is also very close in size to the old VistaVision format, pioneered by Paramount in the 1950s.

ARRI Rental carries a wide selection of lens series designed for the full-frame format. From ARRI's timeless Signature Primes, to vintage Canon K35s, to our own exclusive DNA LF lenses, manufactured in-house and customizable to the suit the artistic preferences of individual clients.

Full-frame lens lists

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Full-frame prime lens list

ARRI Rental DNA LF T1.5 – T2
21 / 25 / 29 / 35 / 50 / 75 / 85 / 100 / 135 mm
ARRI Signature Prime T1.8 – T2.5
18 / 21 / 25 / 29 / 35 / 40 / 47 / 58 / 75 / 95 / 125 / 150 / 200 mm
Canon CN-E T1.5 – T3.1
14 / 20 / 24 / 35 / 50 / 85 / 135 mm
Canon K35 T1.4 – T1.6
18 / 24 / 35 / 55 / 85 mm
Canon K35 High-Speed T1.3 – T1.5
18 / 24 / 35 / 50 / 85 mm
Cooke S7/i T2
25 / 32 / 40 / 50 / 75 / 100 / 135 mm
Tokina Cinema Vista T1.5
18 / 25 / 35 / 50 / 85 mm
Zeiss Supreme T1.5
25 / 29 / 35 / 50 / 85 / 100 mm
Full-frame zoom lens list

Angenieux EZ
22-60 mm T2.8 / 45-135 mm T3
Fujinon Premista 28-100 mm T2.9
Sigma 300-800 mm T5.6
Zeiss Compact Zoom T2.9
15-30 mm / 28-80 mm / 70-200 mm

A wide range of looks

Vintage options

ARRI Rental DNA LF and Canon K35

Modern options

ARRI, Canon, Cooke, Zeiss, and Tokina

DNA LF

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In your own words

Cinematographer Ben Kutchins ("Jexi")

These new sets of DNA LF lenses keep the full character of the glass, most beautifully in the corners of the frame.

Cinematographer John Guleserian ("An American Pickle")

The 29 mm (DNA LF) is fantastic for deep-focus wide shots, but really shines when shot with a wider stop and focused closer to achieve a shallower depth of field.