ARRI Rental | Full frame lenses

Large-format cinematography is a growing trend, with the majority of cameras offering a sensor around the same size as a 35 mm stills camera, commonly referred to as full frame. It is also very close in size to the old VistaVision format, pioneered by Paramount in the 1950s.

ARRI Rental carries a wide selection of full-frame lenses, both spherical and anamorphic. From our own exclusive ALFA, Moviecam, and customizable DNA LF lens series, to ARRI Signature Primes, vintage Canon K35s, and many more besides, we have the right glass for your large-format production.

Full-frame lens lists

ARRI Rental Moviecam T1.5 – T2.8
16 / 20 / 24 / 28 / 35 / 40 / 50 / 60 / 85 / 100 / 135 mm

ARRI Rental DNA LF T1.5 – T2
21 / 25 / 29 / 35 / 50 / 75 / 85 / 100 / 135 mm

ARRI Signature Prime T1.8 – T2.5
12 / 15 / 18 / 21 / 25 / 29 / 35 / 40 / 47 / 58 / 75 / 95 / 125 / 150 / 200 mm

Canon CN-E T1.5 – T3.1
14 / 20 / 24 / 35 / 50 / 85 / 135 mm

Canon K35 T1.4 – T1.6
18 / 24 / 35 / 55 / 85 mm

Canon K35 High-Speed T1.3 – T1.5
18 / 24 / 35 / 50 / 85 mm

Canon Rangefinder T1.1 – T2.1
25 / 35 / 50 / 85 / 100 mm

Cooke S7/i T2
25 / 32 / 40 / 50 / 75 / 100 / 135 mm

Tokina Cinema Vista T1.5
18 / 25 / 35 / 40 / 65 / 50 / 85 / 105 / 135 mm

Zeiss Supreme T1.5
25 / 29 / 35 / 50 / 85 / 100 mm

Angenieux EZ
22-60 mm T2.8 / 45-135 mm T3

Fujinon Premista 28-100 mm T2.9

Sigma 300-800 mm T5.6

Zeiss Compact Zoom T2.9
15-30 mm / 28-80 mm / 70-200 mm

ARRI Rental ALFA T2.5 - T3

40 / 47 / 60 / 72 / 90 / 108 / 145 / 190 mm

A wide range of looks

Vintage options

ARRI Rental DNA LF and Moviecam, Canon K35

Modern options

ARRI, Canon, Cooke, Zeiss, and Tokina

Exclusive full-frame lenses

DNA LF, Moviecam, and ALFA...

Unique lens solutions including the DNA, ALFA, and Moviecam series.

Learn more

Get in touch

We can demo, you can test...

In your own words

Cinematographer Ben Kutchins ("Jexi")

These new sets of DNA LF lenses keep the full character of the glass, most beautifully in the corners of the frame.

Cinematographer John Guleserian ("An American Pickle")

The 29 mm (DNA LF) is fantastic for deep-focus wide shots, but really shines when shot with a wider stop and focused closer to achieve a shallower depth of field.

Full-frame news

Netflix-The-Dig-ARRI-Rental-DNA-LF-ALEXA-LF-cinematography-Mike-Eley

Mar. 12, 2021

Mike Eley BSC discusses the cinematography of “The Dig”

Cinematographer Mike Eley BSC reflects on pairing ARRI Rental’s DNA LF lenses with ALEXA LF to bring a sensitivity to the Suffolk landscape of Netflix film “The Dig”.